The Precision Comp Limiter is based on one of the legendary British compressors found in top-level studios worldwide. Originally produced in the ‘70's as an evolution of the previous 2254 model, it quickly became a much sought after unit for many audio applications, including music recording/mixing, mastering, post-production and broadcasting. Its sonic character is not as aggressive as that of many other popular units of the same era. Even when the unit is pushed to extreme settings, the compression is fairly gentle and retains a musical quality that doesn't "choke" or squash program material. Nevertheless, the compression effect is clearly distinguishable.
The modeling starts at the core, with the diode network used for the compression and the set of custom transformers responsible for the unique, fat and bold character; input and output transformers were so closely replicated that all of the hardware’s inherent sonic signature is in there.
It just takes a listen to appreciate the fully modeled signal path, where compressor and limiter can be engaged or excluded separately, combining gain reductions and time constants for more complex and articulate results.
The interaction between the class-A circuitry and the custom transformers used in the signal path really do make a difference in how this units affects the audio quality of the tracks it's processing, even when no compression is applied.
New Precision Compressor Limiter processor
As its hardware counterpart, this module is equally at home in many applications; in mixing contexts it can easily be used to fatten up single tracks and have them in a precise space and dynamic range within the mix.
The series of controls so closely replicated has some added bonuses: the input control was not present on the hardware unit; in the T-RackS model this allows to feed more signal into the module thus producing a more pronounced compression effect. Additional flexibility is given by the standard stereo (L/R) or Mid/Side (M/S) operation.
The dual nature of the unit, featuring a separate compressor and a limiter allows for some very interesting results: the combination of the two independent sections can lead to some complex gain reductions as the compressor can impart a lighter and gentler compression, while the limiter can be set for a more audible effect.
Its sound quality is so euphonic and musical that even single tracks individually compressed, or simply passed through the Precision Comp/Limiter will gain presence and character.
Nevertheless it really shines as a stereo master bus compressor, turning an “OK” mix into a finished song, where the effect of compression is there, but its subtle and gentle character really works the magic on a track.
Also included in
Vintage Tube Compressor/Limiter Model 670
This audio processor module is part of T-RackS CS "Custom Shop" Mixing and Mastering Plug-In Collection. With T-RackS CS you can:
Read more about T-RackS CS
T-RackS® is a registered trademark property of IK Multimedia Production. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedia’s sound model development and for describing certain types of tones produced with IK Multimedia’s digital modeling technology. Use of these names does not imply any cooperation or endorsement. LA-2A and 1176 LN are registered trademarks of Universal Audio, Inc. IK Multimedia's products, specifically, the T-RackS 3 Black 76 Limiting Amplifier and T-RackS 3 White 2A Leveling Amplifier, are manufactured and developed by IK Multimedia based on its own modeling techniques. Universal Audio has neither endorsed nor sponsored IK Multimedia's products in any manner, nor licensed any intellectual property for use in this product. Leslie is a trademark property of Hammond Organ/Leslie, wholly-owned brand subsidiaries of Suzuki Musical Instruments Mfg., Ltd. of Hamamatsu, Japan, used under license. Fairchild® is a registered trademark property of Avid Technology, Inc. Pultec® is a registered trademark property of Pulse Techniques, LLC. Mac and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Windows Vista and the Windows logo are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. QuickTime and the QuickTime logo are trademarks or registered trademarks of Apple Computer, Inc., used under license therefrom. The Audio Units logo is a trademark of Apple Computer, Inc. VST is a trademark of Steinberg Media Technologies GmbH. ARC System™ is a trademark property of IK Multimedia Production Srl. Audyssey™, MultEQ®, Audyssey MultEQ® are trademarks property of Audyssey Laboratories™ Inc. used under license.
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